EXP 00/55
The way there
Issue Nº 01 · A film magazine · Jerecho

ShoulderSeason

Nikon F3· Three trips· 55 exposures
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Contents · Issue Nº 01
Statement

The trip is the point. The long road in, a kid out on the rocks, friends still at the table after the light’s gone. Some of it happens on a course; most of it happens around one. Nobody kept score past the ninth. Three trips make this issue, Shoulder Season, all of it on film. Dog Days comes next.

Jerecho — 2026
Arches, low light
Chapter 01 — Baja California · May 2026

Bajamar

Salt air and switchback roads, paper flags strung over the street, the Pacific at the end of every block. Long mornings outside with the people you came with; afternoons in, out of the wind.

01

Ten minutes to sunset the scope comes out. Legs kicked wide on the patio rail, eyepiece wiped with a shirt hem, the horizon found and lost and found again. Down the coast the surf keeps its noise to itself. We are watching for a green light that lasts less than a second, and we have a week.

The house is the family’s; I was the boy here once, same rocks, same rail. What May sent this year: a marine layer parked offshore with no plans to leave, and a gray line where the sun was supposed to perform.

The days learned a shape. Nine holes before the wind came up, fish tacos at the place with the plastic chairs, the long afternoon giving the rocks back to the birds. Kelp ribbons on the tide line. Pelicans working the swell in single file.

On the course the layer flattened everything to one soft light, and the ocean sat to the left of every hole like an open question. The card stayed in the bag. We played toward the horizon and watched it the whole way in.

Mornings he went ahead of us to the point and claimed the one rock the waves couldn’t reach. He waved once, then forgot us completely. Captain of a small, cold country all morning.

He is four. He will not always come stand at the rail with me.

The layer didn’t move. The boy took his watch inside, forehead to the glass, the beach going on without him below.

We are watching for a green light that lasts less than a second, and we have a week.

The last evening we gave it every minute. The sun flattened to a bar of light and went under the layer without a word. A week of looking; no green.

We closed the house the next morning the way it has been closed a hundred times: chairs in, shutters latched, the key where the family leaves it. The scope rode home still packed. Over the street the papel picado kept snapping in the wind, the same as every year, the same as next.

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Full reel · 01 — BajamarScroll · tap a frame
Spray on the rocks
Chapter 02 — Central Coast · May 2026

Central Coast

Highway 1 with no reason to be anywhere by dark. A quarry course cut into the rock, then down to the water and whatever the fog left behind.

02

A course dug straight into an old quarry: expired film, a frayed flag, and a sign that means it.

Down at the water the shoes came off and stayed off. The tide set the pace and nobody argued with it.

Back roads on the way in: an adobe still standing under its windmill, agave gone wild on a boulder.

Inland to Hunter Ranch: vineyards running right up to the rough, gold hills going brown behind the green.

The light ran out on the back nine before the round did.

Full reel · 02 — Central CoastScroll · tap a frame
Tracks in the sand
Chapter 03 — North Carolina · March 2026

Pinehurst

Pine straw and old brick, a village built for walking, photographed the week the dogwoods came in.

03

The Magnolia Inn, est. 1896: two rocking chairs on the porch and the light coming in sideways. You put your bag down and stop moving for a minute.

Five of us and two bags between the trees, out the back of the clubhouse and into the pines before the dew was off the grass.

Two balls on the green, a pond behind, pines going all the way back. The kind of hole you play twice to get it right.

You sit a while, you let the people ahead thin out into the pines, you wait your turn.

The round ends and the day doesn’t. Three stouts, a whiskey, and the long count of everything that almost went in.

Full reel · 03 — PinehurstScroll · tap a frame
Index of plates

The contact sheet

New issues

One issue a season, a letter when it ships.

New work as it ships. Nothing else.
Jerecho at the pin, Hunter Ranch
About

Jerecho

I shoot film on an old Nikon F3, mostly on trips, mostly of the people I talk into coming along. The photographs are what’s left of good days: the road out, the long lunch, the light at the end of it. Golf gets us to some of these places. The rest is just paying attention.

At the pin, Hunter Ranch · Nikon F3 · Portra 400
Colophon & inquiries

Selected film work, available for editorial features and prints.

The camera

Every frame on a Nikon F3. Four lenses in rotation: 28, 50, 105 and 180mm. Mixed film stock, whatever’s loaded. Scanned, barely corrected; the light is left as the light.

The work

Trips, mostly: who came along, where we went, what the light did. Three so far: Bajamar on the Baja coast, the Central Coast, and Pinehurst in the Carolina sandhills. More on the way.

New issues

New issues and chapters, by email as they're published.

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Commissions & licensing

For features, portfolios, or prints, write to
jerecho@fischbeck3.com

End of issue

Fifty-five frames, three trips, one season. Dog Days comes next.

— Nº 01 · Shoulder Season · closed